I will propagate my musical taste like there's no end.

I was super hyped for this release. They teased it with three banger singles and announced it with some sick features. My first thought on the album is that it is the perfect blend of older metal and newer metal. It has huge leads like classic metalcore and simple heavy riffs, but it has a certain anger and energy about it reminiscent of newer age beatdown hardcore. While short, each song is memorable in its own way, and I think the addition of cleans in a few tracks adds some strong variety. Everything is super well done, and this should hold up as an album of the year contender for metal fans.

One of my favorite albums of 2022. Every song is amazing with a perfect mix of heavy post-hardcore and strong melodic cleans. The Altar / Mary is also, in my opinion, the best Silverstein song ever released. Shane Told is still going 20 years strong with great vocals and everything complements his voice well. While the deluxe leaves some room for improvement, Poison Pill and Stitches are both solid songs with some other fun additions. Seeing the improvement and consistency of Silverstein over the past two decades is something that many bands, especially in the Metalcore/post-hardcore scene, can't maintain. I love everything this album does.

It’s hard to put a genre of SeeYouSpaceCowboy. It blends so many elements from other metal sub genres. The naming scheme of the songs and the art is completely unique from bands, especially in the 2010’s, much more reminiscent of early Metalcore days.
As for the music, it’s just as unique as everything else. The album has about one million switch ups. Every song is super short though, which makes it hard to like individual songs. A lot of songs blend into each other, but a lot of songs also sound similar. There are some neat little naming tricks inside the songs (“No Words, No Compensating Lies” having no lyrics, “The Phoenix Must Rest” being the final song), but where the album truly shines is the lyrics on the later songs. There’s some super heavy, thoughtful, and well written lines, especially in (in my opinion, the albums best song) Late December. The song dives into the suicide of Connie’s girlfriend, a tragic event that causes sorrow to be laced into the song. The vocals can be rough at times along with the mixing. The instrumental tracks are some of the best and highlight how well the guitars and drums are done. It’s an overall good album, nothing to write home about for sure. ... See More

This is, in my opinion, a significantly better album than Could You Watch Your Children Burn. The message stays strong, dealing with themes like abuse in a way indicative of 2010s metalcore. But there’s something special about this album. Everything goes together so well, super heavy riffs mixed with unbelievable vocals. It’s a bit on the short side, but when each song has so much quality, it doesn’t feel too short. Listening to early stuff from The Plot In You and hearing a sound so alien to their newer music but still so close at heart is a super unique feeling very few bands capture.

Listening to this album for the first time as a newer age metalcore fan feels like looking at the baby pictures of your best friend. This album was the perfect stepping stone the entire genre. Its huge layered riffs mixed with amazing singing and aggressive screams were such an influential part of metal history because it gave way for more amazing albums in its wake. 1 sound I hear potently is that of The Poison from Bullet For My Valentine. An insanely good album, both for the time and today. Holds its own against some other top metalcore albums of all time.