Parallels Review
June 13, 2021
Blows my mind that Ray Alder isn’t considered one of the canon greats of metal vocalists. The music here is technical and complex Prog Metal, but the vocals are total AOR a la Queensryche. Ray’s range is very impressive, he can hit incredibly high registers without getting pitchy or strained, and carry a passionate weight all the while. The way he harmonizes with himself are flawless, and again making comparisons to Queensryche, the choruses on this thing are catchier than the vast majority of Pop music. The lyrics aren’t shallow by a longshot, but pretty clearly revolve around feelings of lost human connection, letting go, and moving on. Or in Pop terms, breakup songs.
Probably an odd way to praise a Prog Metal album by immediately comparing it to Pop music and focusing on the vocals, but whatever. The songwriting is quite similar to the prior Perfect Symmetry, but it’s a bit simpler in structure and with better production. There was an obvious emphasis on melody and catchiness when writing this one. Fates Warning certainly tread the softer side of the genre, but unlike Queensryche, the musicianship is very technical indeed, and simple choruses where the vocals can shine often give way to incredibly intricate verses and instrumental segments. Though most of the album is the simple Rock ensemble of instruments, layering and production effects ensure a depth to the sound that reveals more with each listen.
While every song here is fantastic, I will admit the ending tracks are weaker, except for “We Only Say Goodbye” which is a Pop Prog masterpiece. Probably my favorite song by the band by this point, the lyricism and emotion in Alder’s voice play over simple yet evocative guitar lines that pull every heart string. Such a beautifully passionate song that is sad yet strong. Like much of this album, really. Despite how catchy and melodic it is, “Parallels” is a truly somber package, best enjoyed when you are reeling from loss but still want to sing along to some good music.
Probably an odd way to praise a Prog Metal album by immediately comparing it to Pop music and focusing on the vocals, but whatever. The songwriting is quite similar to the prior Perfect Symmetry, but it’s a bit simpler in structure and with better production. There was an obvious emphasis on melody and catchiness when writing this one. Fates Warning certainly tread the softer side of the genre, but unlike Queensryche, the musicianship is very technical indeed, and simple choruses where the vocals can shine often give way to incredibly intricate verses and instrumental segments. Though most of the album is the simple Rock ensemble of instruments, layering and production effects ensure a depth to the sound that reveals more with each listen.
While every song here is fantastic, I will admit the ending tracks are weaker, except for “We Only Say Goodbye” which is a Pop Prog masterpiece. Probably my favorite song by the band by this point, the lyricism and emotion in Alder’s voice play over simple yet evocative guitar lines that pull every heart string. Such a beautifully passionate song that is sad yet strong. Like much of this album, really. Despite how catchy and melodic it is, “Parallels” is a truly somber package, best enjoyed when you are reeling from loss but still want to sing along to some good music.
Track listing (Songs)
title | rating | votes | ||
---|---|---|---|---|
1. | Leave The Past Behind | 6:14 | 92.5 | 4 |
2. | Life In Still Water | 5:44 | 91.3 | 4 |
3. | Eye To Eye | 4:06 | 92 | 5 |
4. | The Eleventh Hour | 8:12 | 93.8 | 4 |
5. | Point Of View | 5:07 | 90 | 5 |
6. | We Only Say Goodbye | 4:56 | 96.3 | 4 |
7. | Don't Follow Me | 4:41 | 91.3 | 4 |
8. | The Road Goes On Forever | 6:31 | 92.5 | 4 |
Line-up (members)
- Ray Alder : Vocals
- Jim Matheos : Guitars
- Frank Aresti : Guitars
- Joe DiBiase : Bass
- Mark Zonder : Drums
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SilentScream213 100/100
Nov 1, 2020 Likes : 1
Most people consider “Awaken the Guardian” to be Fates Warning’s shining moment, but the album that outshone everything else by miles to me is “Perfect Symmetry.”
Perfect Symmetry is the band’s transition from a fantastical, proggy almost-Power Metal band into a full fledged modern Progressive Metal band, and one of the first albums ever to conceptualize this sou... Read More
No Exit Review (1988)
구르는 돌 85/100
Jul 24, 2015 Likes : 1
The Spectre Within, Awaken the Guardian 두 장의 기념비적인 작품으로 Fates Warining은 Queensrÿche와 함꼐American Progressive Metal을 선도하는 자리에 서게 되었다. 하지만, Awaken the Guardian 발표 뒤 밴드의 프론트 맨이었던 John Arch는 밴드의 방침에 반발하여 Fates Warinig를 탈퇴하고 만다. 뛰어난 역량의 보컬리스... Read More
No Exit Review (1988)
Eagles 70/100
Nov 9, 2005 Likes : 1
1982년 미국 코네티컷에서 결성된 Fates Warning은 84년 Metal Blade 레이블의 컴필레이션 음반에 참여하며 모습을 드러냈다. 같은해에 데뷔작 NIght On Brocken을 발표하였으며 85년의 The Spectre Within, 86년의 Awaken the Guardian을 내놓으며 Progressive Metal의 초석을 다진 이들이 새로운 보컬리스트 Ray Alder를 맞... Read More