Nothing Review
January 8, 2026
Mind-numbing. No, I don’t mean in a good way. I mean, by the end of the first track, I had taken just about all I could take of one-note soulless polyrhythmic chugging, and then preceded to suffer through 9 more tracks of the exact same thing with no variation. So repetitive is this album that when the atonal guitar noodling that would be terrible in any other context came up in track 3, I was actually excited because it was SOMETHING different. The little atmospheric reprieve near the end of the 4th track wasn’t anything special, but it was such a welcome break from the mechanical assault that my brain was tricked into enjoying it.
I actually like the guy’s harsh vocal sound, but the issue is… again… there’s absolutely no variation. It sounds like he’s trying as hard as possible to maintain one single tone, one note, one delivery… yeah, it certainly fits the music, and I get that’s what they’re going for. But just as with the rest of the music, I was sick of it after one track. Nine more aren’t going to convince me (or 8 since the last track is an instrumental).
Maybe there’s some grand meaning in those lyrics somewhere. I have no idea. This are some of the most pretentious, abstract lyricism since Tool. “Organic Shadows” has some neat lyrics about becoming mechanical, but most this is ‘I’m too smart for you’ cryptic existentialism.
“Spasm” is the most unique sounding song, and by default the best. It’s the only song to feature a different vocal approach, as well as *gasp* lead guitar work. Yeah, when you add guitar leads that actually hit notes and craft melodies over top the mechanical polyrhythmic chugging, said chugging actually becomes listenable. When used as a backdrop for other music, Djenty chugging is fine. The issue with Meshuggah is they make the Djenty chugging the focus – in fact, it’s usually the ONLY thing going on in most of the songs.
To say something respectful, they WERE doing something different and unique, that is undeniable. But I think giving something credit for being unique is overrated. The only thing that matters to me is if music sounds good – this is a hard pass.
I actually like the guy’s harsh vocal sound, but the issue is… again… there’s absolutely no variation. It sounds like he’s trying as hard as possible to maintain one single tone, one note, one delivery… yeah, it certainly fits the music, and I get that’s what they’re going for. But just as with the rest of the music, I was sick of it after one track. Nine more aren’t going to convince me (or 8 since the last track is an instrumental).
Maybe there’s some grand meaning in those lyrics somewhere. I have no idea. This are some of the most pretentious, abstract lyricism since Tool. “Organic Shadows” has some neat lyrics about becoming mechanical, but most this is ‘I’m too smart for you’ cryptic existentialism.
“Spasm” is the most unique sounding song, and by default the best. It’s the only song to feature a different vocal approach, as well as *gasp* lead guitar work. Yeah, when you add guitar leads that actually hit notes and craft melodies over top the mechanical polyrhythmic chugging, said chugging actually becomes listenable. When used as a backdrop for other music, Djenty chugging is fine. The issue with Meshuggah is they make the Djenty chugging the focus – in fact, it’s usually the ONLY thing going on in most of the songs.
To say something respectful, they WERE doing something different and unique, that is undeniable. But I think giving something credit for being unique is overrated. The only thing that matters to me is if music sounds good – this is a hard pass.
Track listing (Songs)
| title | rating | votes | ||
|---|---|---|---|---|
| 1. | Stengah | 5:38 | 88.8 | 4 |
| 2. | Rational Gaze | 5:04 | 84 | 5 |
| 3. | Perpetual Black Second | 4:39 | 85 | 3 |
| 4. | Closed Eye Visuals | 7:26 | 83.3 | 3 |
| 5. | Glints Collide | 4:56 | 81.7 | 3 |
| 6. | Organic Shadows | 5:08 | 81.3 | 4 |
| 7. | Straws Pulled At Random | 5:10 | 88.8 | 4 |
| 8. | Spasm | 4:15 | 90 | 3 |
| 9. | Nebulous | 6:33 | 81.7 | 3 |
| 10. | Obsidian | 4:20 | 80 | 3 |
Line-up (members)
- Jens Kidman : Vocals
- Fredrik Thordendal : Guitars, Bass
- Mårten Hagström : Guitars
- Tomas Haake : Drums, Vocals on "Spasm"
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