Oceanic Review
January 7, 2026
Oceanic is a monstrous record, a storied masterpiece in the genre of Atmospheric Sludge, and the first Isis release to show the band with a fully developed sound and knack for building dense, layered atmospheres.
Or so they say. While listening to Oceanic, I have to confess I found myself underwhelmed. The guitars in particular are very repetitive and simple, almost exclusively power chords changing ever so slightly. They do layer nicely, yes, and the production helps gives them a heavy, dense yet smooth sound. But lead guitarwork is scarce, simple and quiet, almost completely drowned out by the repetitive chords. Similarly, other layers of effects, which usually create the rich atmosphere typical of Atmosludge, are subtle or absent, leaving the compositions surprisingly… shallow.
There are a significant amount of Post-Rock sections here, where the heavy guitars subside to let other instrumental parts have some time to craft quiet, layered soundscapes. I think these parts are done quite well, and they add great diversity to the long, plodding tracks. The contrast between these sections and the droning, repetitive heavy chords elevate both and help eliminate fatigue from the latter.
The saving grace of this album, to me, was the lyrical concept. I was far more interested in the songs once I learned of the concept and paid close attention to the lyrics and how the songs work to evoke the same mood and themes as the out-of-order story. There is a consistent aquatic feel to this album which gives it a unique atmosphere, and the twisted, troubled sexual undercurrents add to the tensity of the dissonant atmospheres.
Some Atmospheric Sludge albums have the issue of having a few really incredible tracks or moments within the tracks surrounded by long stretches of filler. Oceanic is actually quite the opposite; it is extremely consistent throughout, even among stylistic changes, the only exception being the useless untitled interlude. This means as a full album, Oceanic is a much easier listen than many of its contemporaries; however, it also lacks any memorable peaks or crescendos that truly stand out.
It's a strong album with some impressive walls of atmosphere and compelling themes and lyricism. But one of the best Atmospheric Sludge albums ever? Personally I would have to disagree. A VERY solid and consistent example of the genre, but nowhere near my favorite.
Or so they say. While listening to Oceanic, I have to confess I found myself underwhelmed. The guitars in particular are very repetitive and simple, almost exclusively power chords changing ever so slightly. They do layer nicely, yes, and the production helps gives them a heavy, dense yet smooth sound. But lead guitarwork is scarce, simple and quiet, almost completely drowned out by the repetitive chords. Similarly, other layers of effects, which usually create the rich atmosphere typical of Atmosludge, are subtle or absent, leaving the compositions surprisingly… shallow.
There are a significant amount of Post-Rock sections here, where the heavy guitars subside to let other instrumental parts have some time to craft quiet, layered soundscapes. I think these parts are done quite well, and they add great diversity to the long, plodding tracks. The contrast between these sections and the droning, repetitive heavy chords elevate both and help eliminate fatigue from the latter.
The saving grace of this album, to me, was the lyrical concept. I was far more interested in the songs once I learned of the concept and paid close attention to the lyrics and how the songs work to evoke the same mood and themes as the out-of-order story. There is a consistent aquatic feel to this album which gives it a unique atmosphere, and the twisted, troubled sexual undercurrents add to the tensity of the dissonant atmospheres.
Some Atmospheric Sludge albums have the issue of having a few really incredible tracks or moments within the tracks surrounded by long stretches of filler. Oceanic is actually quite the opposite; it is extremely consistent throughout, even among stylistic changes, the only exception being the useless untitled interlude. This means as a full album, Oceanic is a much easier listen than many of its contemporaries; however, it also lacks any memorable peaks or crescendos that truly stand out.
It's a strong album with some impressive walls of atmosphere and compelling themes and lyricism. But one of the best Atmospheric Sludge albums ever? Personally I would have to disagree. A VERY solid and consistent example of the genre, but nowhere near my favorite.
Track listing (Songs)
| title | rating | votes | ||
|---|---|---|---|---|
| 1. | The Beginning and the End | 8:01 | 93.8 | 4 |
| 2. | The Other | 7:14 | 87.5 | 2 |
| 3. | False Light | 7:42 | 90 | 2 |
| 4. | Carry | 6:46 | 90 | 3 |
| 5. | - | 2:05 | 67.5 | 2 |
| 6. | Maritime | 3:03 | 85 | 3 |
| 7. | Weight | 10:46 | 90 | 2 |
| 8. | From Sinking | 8:24 | 87.5 | 2 |
| 9. | Hym | 9:13 | 90 | 2 |
Line-up (members)
- Aaron Turner : Vocals, Guitars
- Mike Gallagher : Guitars
- Jeff Caxide : Bass
- Aaron Harris : Drums
- Bryant Clifford Meyer : Electronics
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Panopticon Review (2004)
Zyklus 92/100Apr 15, 2009 Likes : 1
전작 Oceanic 에 이은 또 하나의 명반 Panopticon 이다. Isis 의 음악을 듣다보면 나도 모르게 선 굵은 리프가 만들어내는 리듬에 몸을 맡기게 되는데 순간 나른해지는 느낌과 동시에 아론터너의 거친 보컬이 합세하는 파트에서는 음악을 들으면서 느낄 수 있는 극한의 카타르시스를 맛볼 수 있다... Read More






